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by Alejandro A. Riera

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Richard Linklater’s “Boyhood” is that rare American movie that restores your faith in the power of film as a narrative art form.

by Alejandro A. Riera

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Although “Dawn of the Planet of the Apes” is technically a sequel to “Rise of the Planet of the Apes,” the term doesn’t do it justice. We associate sequels with films that sound and look like louder, garish photocopies of their predecessors…say, the Transformers films.

by Alejandro A. Riera

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Long time ago in a newsroom not far away from where I am writing this, a colleague had the gall to claim that Miramax’s Harvey Weinstein was the patron saint and savior of independent and foreign films in this country.

by Alejandro A. Riera

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What would film criticism look like today had Roger Ebert and Gene Siskel decided not to take the plunge into TV more than 40 years ago with the WTTW-produced “Opening Soon at a Theater Near You”? Would we have today the multiplicity of voices and opinions that can be found on such websites as The Dissolve, efilmcritic.com, Ain’t It Cool News and Roger’s very own website?

by leo guerrero

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The transformers franchise has been around since 2007 and has followed a typical style set forth by Director Michael Bay: a group of people are put in an unusual set of circumstances to save the day, if not the world. TRANSFORMERS 4: AGE OF EXTINCTION continues this pattern pretty much frame by frame throughout this movie.

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